Thursday, October 8, 2020
Thursday, June 11, 2020
When we travel on vacation or we are out and about one of the most ask questions is "Why Thailand."In order to really answer that question , First, you have to know that I am married to a Thai lady , and one of my main concerns in my marriage was what could I do to make her happy .We came to Thailand in 2003 on a vacation and a chance for me to meet her family and kids. I saw at once ,how happy she was to be in her home country with friends and family , and yet have the security in knowing that she had a husband who could and would do anything she needed , with-in reason to make her happy. Not only could I see how happy she was , but I at once fell in love with Thailand , there was lots of things that attracted me to the LOS , BUT the most important one was how happy Ciejay seemed to be .I knew it was about time for us to start thinking seriously about where we wanted to live out out retirement years , I had always thought about somewhere close to my Brother and Sister, out Tenn. way , and we went for a visit to check things out before coming to Thailand the next year on Vacation , and somehow it just didn't feel right to both of us. Before we came over to the LOS we had mentioned to each other if the opportunity and time arrived that we would look around and maybe think about Thailand (of course it was my first visit ,so much of the decision would be on my shoulders. We looked around and then on the last day when we came to Kanchanaburi and our small village of Whang Pho , We looked at each other and smiled, and knew this was the place. We had little daylight left for this visit to her Older Brother and the next day it was off to Bangkok to catch the plane and head home , Would you believe we found a little house and piece of land and bought it in the dark of night , saying that we would be back next year when I retired and make it our home , Everyone laughed and thought to themselves that they would never see us again, but we fooled them all and you can read about the move and remodel and moving , in a older post , just go back and start from my first ones .
Now that was a long story to tell you the main reason for choosing Thailand. Some of the others are as follows and in no order of importance , all of them to us are important reasons for choosing the LOS.
1.--My small SS check is enough for us here in Thailand.
2.--We were able for Ciejay to buy a house and small piece of land with what little money we had in savings.
3.--The weather is the kind of weather I always thought I would like about a place, when I retired.
4.--The food is out of this world tasty, healthy (spicy mind you ) but plenty and fresh, and growing everywhere , even in your own backyard.
5.--The Thai people, even tho it took a while to get use to their way of life and culture and their way of thinking .
6.-- The almost crime free village and area we live in .
7.--Lots of things to see and do , and a lot of it not far from where we live .
8.--Our Thai family
9.--Our dogs(our kids ) that can run free and wild .
10.--Our home and little piece of paradise.
11.--Our village and the town folks .
12.--And our neighbors
13.--Our Drs. and health care
14.-- Our church and church family
15.-- The difference in my health since moving here to Thailand
16.-- And the difference in me and my thinking about life and living.
That's not all the reasons , I could go on and on , and you might say "well couldn't you find that in your own country ", maybe so , But we didn't. and we have found it here in what we call our little piece of paradise, that , we believe the Lord had saved just for us and all the blessings that go along , with being Retired in Thailand and Loving It .
Posted by Malcolm and Ciejay Burgess at 12:06 AM 3 comments:
Tuesday, January 28, 2020
Faux Bois In Concrete www. http://fauxboisinconcrete.blogspot.com/
Well , today I learned that the decorating we are doing on the house is actually a lost art and is starting to be revived by some folks all over the world old pieces of Faux Bois are quite collectible and sought after by collectors , soooo I guess our place will be a collector item for our grand-kids one of these days , who would have thought , ha ha , I'm posting a few up-date pictures of the work and it should be finished in a few days and then we will paint the green part of the house a light tan color , should look good. Hope you enjoy the pictures and the story from the web.
This school of art goes back as far as "art" itself. From our very beginnings, artists have been fascinated with the infinite variety of shapes, forms and textures that Mother Nature expresses in trees and their wood. And while the French are indeed to be credited with giving this art a name, there are examples to be found that far predate the existence of France as a nation.
The modern schools of this art today encompass two principle branches. One employed by highly skilled wood finishers that involves itself with making "lesser" woods such as pine, have the appearance of a "finer" or more exotic wood. The other branch creates three dimensional representations of wood and wooden objects by applying various cement-based mixtures onto a steel framework or "armature", and sculpting it to mimic the real material.
The subject of this brief essay is the three dimensional variety,
also known as Ferrocement Faux Bois.
Ferrocement Faux Bois is a very popular and much sought after category among serious antique collectors. One of the most notable of whom is Martha Stewart, who collects antique as well as modern works executed by the very few remaining artisans still practicing this craft. Sadly, there are only a handful of artisans alive today who are capable of executing Faux Bois at the masterwork level.
The most familiar works are those imported from Europe by antique dealers specializing in garden art. Typically they have what I refer to as a "French" finish composed of a gray, lightly sanded mortar mixture of Portland cement and sand. What few people today, including many collectors, do not realize, is that the vast majority of these pieces were at one time painted. Often quite garishly. Thankfully, nearly all of the paint has succumbed to the nature of the concrete and fallen off, leaving only a faded and aged patina. Many of these works are crude. Others more convincing in their detail. Most of the better pieces were constructed from about 1880 to WWII, but there were a few very capable craftsmen still producing an utterly amazing body of work well into the 1950's...right here in America.
Today, the very best of those major works rightfully represent an entire category on the National Register of Historic Places. And there is a serious movement taking place to add many more and restore them to the former glory that as much as a century of neglect has all but erased in many cases.
The process of creating these works is at once complex, technically demanding and extraordinarily labor intensive. It involves first building a steel framework (referred to by sculptors as an "armature"), securing and forming metal mesh known as "lath", then building up multiple layers of concrete, mortar and often pure cement paste. All the while, shaping, sculpting and detailing the material as it hardens. Once the process of adding cement-based media begins...there is no stopping. The material will not wait and absolutely must be worked from beginning to end. Complex and highly detailed works can often require an artist to work non-stop for 12 to 24 hours to achieve many specific effects. Little wonder it is less than popular with today's generation of artists. But there are rewards for the few who invest themselves in this demanding art, as well as the buyers of these rare works. Because the time and effort put into a quality piece is also reflected in its' longevity. Properly formulated and skillfully placed modern cement formulations can endure exposure to the elements for an estimated fifty-thousand years. How's that for "heirloom".
And while works of this calibre are obviously rare and understandably expensive, they can still be found or commissioned by a properly skilled sculptor
Posted by Malcolm and Ciejay Burgess at 3:31 AM 2 comments:
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